But in Italy, at the meteorological stations on Vesuvius, on Etna in the old Casa Inglesi, at Monte Cavo, the observers made no hesitation in admitting the materiality of the phenomenon, particularly as they had seen it by day in the form of a small cloud of vapor, and by night in that of a shooting star. But of what it was they knew nothing.
Scientists began at last to tire of the mystery, while they continued to disagree about it, and even to frighten the lowly and the ignorant, who, thanks to one of the wisest laws of nature, have formed, form, and will form the immense majority of the world's inhabitants. Astronomers and meteorologists would soon have dropped the subject altogether had not, on the night of the 26th and 27th, the observatory of Kautokeino at Finmark, in Norway, and during the night of the 28th and 29th that of Isfjord at Spitzbergen--Norwegian one and Swedish the other--found themselves agreed in recording that in the center of an aurora borealis there had appeared a sort of huge bird, an aerial monster, whose structure they were unable to determine, but who, there was no doubt, was showering off from his body certain corpuscles which exploded like bombs.
In Europe not a doubt was thrown on this observation of the stations in Finmark and Spitzbergen. But what appeared the most phenomenal about it was that the Swedes and Norwegians could find themselves in agreement on any subject whatever.
There was a laugh at the asserted discovery in all the observatories of South America, in Brazil, Peru, and La Plata, and in those of Australia at Sydney, Adelaide, and Melbourne; and Australian laughter is very catching.
To sum up, only one chief of a meteorological station ventured on a decided answer to this question, notwithstanding the sarcasms that his solution provoked. This was a Chinaman, the director of the observatory at Zi-Ka-Wey which rises in the center of a vast plateau less than thirty miles from the sea, having an immense horizon and wonderfully pure atmosphere. "It is possible," said he, "that the object was an aviform apparatus--a flying machine!"
But if the controversy was keen in the old world, we can imagine what it was like in that portion of the new of which the United States occupy so vast an area.
A Yankee, we know, does not waste time on the road. He takes the street that leads him straight to his end. And the observatories of the American Federation did not hesitate to do their best. If they did not hurl their objectives at each other's heads, it was because they would have had to put them back just when they most wanted to use them. In this much-disputed question the observatories of Washington in the District of Columbia, and Cambridge in Massachusetts, found themselves opposed by those of Dartmouth College in New Hampshire, and Ann Arbor in Michigan. The subject of their dispute was not the nature of the body observed, but the precise moment of its observation. All of them claimed to have seen it the same night, the same hour, the same minute, the same second, although the trajectory of the mysterious voyager took it but a moderate height above the horizon. Now from Massachusetts to Michigan, from New Hampshire to Columbia, the distance is too great for this double observation, made at the same moment, to be considered possible.
Dudley at Albany, in the state of New York, and West Point, the military academy, showed that their colleagues were wrong by an elaborate calculation of the right ascension and declination of the aforesaid body.
But later on it was discovered that the observers had been deceived in the body, and that what they had seen was an aerolite. This aerolite could not be the object in question, for how could an aerolite blow a trumpet?
It was in vain that they tried to get rid of this trumpet as an optical illusion. The ears were no more deceived than the eyes. Something had assuredly been seen, and something had assuredly been heard. In the night of the 12th and 13th of May--a very dark night-- the observers at Yale College, in the Sheffield Science School, had been able to take down a few bars of a musical phrase in D major, common time, which gave note for note, rhythm for rhythm, the chorus of the Chant du Départ.