Jules Verne

One of the rooms was destined for Joam and his wife, another for Lina and Cybele near those of their mistresses, and a third room for Benito and Manoel. Minha had a room away from the others, which was not by any means the least comfortably designed.

This, the principal house, was carefully made of weather-boarding, saturated with boiling resin, and thus rendered water-tight throughout. It was capitally lighted with windows on all sides. In front, the entrance-door gave immediate access to the common room. A light veranda, resting on slender bamboos, protected the exterior from the direct action of the solar rays. The whole was painted a light-ocher color, which reflected the heat instead of absorbing it, and kept down the temperature of the interior.

But when the heavy work, so to speak, had been completed, Minha intervened with:

"Father, now your care has inclosed and covered us, you must allow us to arrange our dwelling to please ourselves. The outside belongs to you, the inside to us. Mother and I would like it to be as though our house at the fazenda went with us on the journey, so as to make you fancy that we had never left Iquitos!"

"Do just as you like, Minha," replied Joam Garral, smiling in the sad way he often did.

"That will be nice!"

"I leave everything to your good taste."

"And that will do us honor, father. It ought to, for the sake of the splendid country we are going through--which is yours, by the way, and into which you are to enter after so many years' absence."

"Yes, Minha; yes," replied Joam. "It is rather as if we were returning from exile--voluntary exile! Do your best; I approve beforehand of what you do."

On Minha and Lina, to whom were added of their own free will Manoel on the one side and Fragoso on the other, devolved the care of decorating the inside of the house. With some imagination and a little artistic feeling the result was highly satisfactory.

The best furniture of the fazenda naturally found its place within, as after arriving in Para they could easily return it by one of the _igariteos_. Tables, bamboo easy-chairs, cane sofas, carved wood shelves, everything that constituted the charming furniture of the tropics, was disposed with taste about the floating home. No one is likely to imagine that the walls remained bare. The boards were hidden beneath hangings of most agreeable variety. These hangings were made of valuable bark, that of the _"tuturis,"_ which is raised up in large folds like the brocades and damasks and softest and richest materials of our modern looms. On the floors of the rooms were jaguar skins, with wonderful spots, and thick monkey furs of exquisite fleeciness. Light curtains of the russet silk, produced by the _"sumauma,"_ hung from the windows. The beds, enveloped in mosquito curtains, had their pillows, mattresses, and bolsters filled with that fresh and elastic substance which in the Upper Amazon is yielded by the bombax.

Throughout on the shelves and side-tables were little odds and ends, brought from Rio Janeiro or Belem, those most precious to Minha being such as had come from Manoel. What could be more pleasing in her eyes than the knickknacks given by a loving hand which spoke to her without saying anything?

In a few days the interior was completed, and it looked just like the interior of the fazenda. A stationary house under a lovely clump of trees on the borders of some beautiful river! Until it descended between the banks of the larger stream it would not be out of keeping with the picturesque landscape which stretched away on each side of it.

We may add that the exterior of the house was no less charming than the interior.

In fact, on the outside the young fellows had given free scope to their taste and imagination.

From the basement to the roof it was literally covered with foliage. A confused mass of orchids, bromelias, and climbing plants, all in flower, rooted in boxes of excellent soil hidden beneath masses of verdure. The trunk of some ficus or mimosa was never covered by a more startlingly tropical attire.