Jules Verne

The whole population of Kazounde, native or not, must assist at it.

When the evening had come, a long cortege descended the principal street, from the _tchitoka_ as far as the burial place. Cries, funeral dances, magicians' incantations, noises from instruments and detonations from old muskets from the arsenals--nothing was lacking in it.

Jose-Antonio Alvez, Coimbra, Negoro, the Arab traders and their overseers had increased the ranks of Kazounde's people. No one had yet left the great _lakoni_. Queen Moini would not permit it, and it would not be prudent to disobey the orders of one who was trying the trade of sovereign.

The body of the king, laid in a palanquin, was carried in the last ranks of the cortege. It was surrounded by his wives of the second order, some of whom were going to accompany him beyond this life. Queen Moini, in great state, marched behind what might be called the catafalque. It was positively night when all the people arrived on the banks of the brook; but the resin torches, shaken by the porters, threw great bursts of light over the crowd.

The ditch was seen distinctly. It was carpeted with black, living bodies, for they moved under the chains that bound them to the ground. Fifty slaves were waiting there till the torrent should close over them. The majority were young natives, some resigned and mute, others giving a few groans. The wives all dressed as for a _fete_, and who must perish, had been chosen by the queen.

One of these victims, she who bore the title of second wife, was bent on her hands and knees, to serve as a royal footstool, as she had done in the king's lifetime. The third wife came to hold up the manikin, while the fourth lay at its feet, in the guise of a cushion.

Before the manikin, at the end of the ditch, a post, painted red, rose from the earth. To this post was fastened a white man, who was going to be counted also among the victims of these bloody obsequies.

That white man was Dick Sand. His body, half naked, bore the marks of the tortures he had already suffered by Negoro's orders. Tied to this post, he waited for death like a man who has no hope except in another life.

However, the moment had not yet arrived when the barricade would be broken.

On a signal from the queen, the fourth wife, she who was placed at the king's feet, was beheaded by Kazounde's executioner, and her blood flowed into the ditch. It was the beginning of a frightful scene of butchery. Fifty slaves fell under the executioner's knife. The bed of the river ran waves of blood.

During half an hour the victims' cries mingled with the assistants' vociferations, and one would seek in vain in that crowd for a sentiment of repugnance or of pity.

At last Queen Moini made a gesture, and the barricade that held back the upper waters gradually opened. By a refinement of cruelty, the current was allowed to filter down the river, instead of being precipitated by an instantaneous bursting open of the dam. Slow death instead of quick death!

The water first drowned the carpet of slaves which covered the bottom of the ditch. Horrible leaps were made by those living creatures, who struggled against asphyxia. They saw Dick Sand, submerged to the knees, make a last effort to break his bonds. But the water mounted. The last heads disappeared under the torrent, that took its course again, and nothing indicated that at the bottom of this river was dug a tomb, where one hundred victims had just perished in honor of Kazounde's king.

The pen would refuse to paint such pictures, if regard for the truth did not impose the duty of describing them in their abominable reality. Man is still there, in those sad countries. To be ignorant of it is not allowable.

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CHAPTER XIII.

THE INTERIOR OF A FACTORY.

Harris and Negoro had told a lie in saying that Mrs. Weldon and little Jack were dead. She, her son, and Cousin Benedict were then in Kazounde.

After the assault on the ant-hill, they had been taken away beyond the camp on the Coanza by Harris and Negoro, accompanied by a dozen native soldiers.