The natives flocked there in great numbers. There were children, men, and women, the latter being animated traders, who, as regards a genius for bargaining, could only be compared to their white sisters.

In the markets of large cities, even on a great day of sale, there is never much noise or confusion. Among the civilized the need of selling exceeds the desire to buy. Among these African savages offers are made with as much eagerness as demands.

The "lakoni" is a festival day for the natives of both sexes, and if for good reasons they do not put on their best clothes, they at least wear their handsomest ornaments.

Some wear the hair divided in four parts, covered with cushions, and in plaits tied like a chignon or arranged in pan-handles on the front of the head with bunches of red feathers. Others have the hair in bent horns sticky with red earth and oil, like the red lead used to close the joints of machines. In these masses of real or false hair is worn a bristling assemblage of skewers, iron and ivory pins, often even, among elegant people, a tattooing-knife is stuck in the crisp mass, each hair of which is put through a "sofi" or glass bead, thus forming a tapestry of different-colored grains. Such are the edifices most generally seen on the heads of the men.

The women prefer to divide their hair in little tufts of the size of a cherry, in wreaths, in twists the ends of which form designs in relief, and in corkscrews, worn the length of the face. A few, more simple and perhaps prettier, let their long hair hang down the back, in the English style, and others wear it cut over the forehead in a fringe, like the French. Generally they wear on these wigs a greasy putty, made of red clay or of glossy "ukola," a red substance extracted from sandal-wood, so that these elegant persons look as if their heads were dressed with tiles.

It must not be supposed that this luxury of ornamentation is confined to the hair of the natives. What are ears for if not to pass pins of precious wood through, also copper rings, charms of plaited maize, which draw them forward, or little gourds which do for snuff-boxes, and to such an extent that the distended lobes of these appendages fall sometimes to the shoulders of their owners?

After all, the African savages have no pockets, and how could they have any? This gives rise to the necessity of placing where they can their knives, pipes, and other customary objects. As for the neck, arms, wrists, legs, and ankles, these various parts of the body are undoubtedly destined to carry the copper and brass bracelets, the horns cut off and decorated with bright buttons, the rows of red pearls, called _same-sames_ or "talakas," and which were very fashionable. Besides, with these jewels, worn in profusion, the wealthy people of the place looked like traveling shrines.

Again, if nature gave the natives teeth, was it not that they could pull out the upper and lower incisors, file them in points, and curve them in sharp fangs like the fangs of a rattlesnake? If she has placed nails at the end of the fingers, is it not that they may grow so immoderately that the use of the hand is rendered almost impossible? If the skin, black or brown, covers the human frame, is it not so as to zebra it by "temmbos" or tattooings representing trees, birds, crescents, full moons, or waving lines, in which Livingstone thought he could trace the designs of ancient Egypt? This tattooing, done by fathers, is practised by means of a blue matter introduced into the incisions, and is "stereotyped" point by point on the bodies of the children, thus establishing to what tribe or to what family they belong. The coat-of-arms must be engraved on the breast, when it cannot be painted on the panel of a carriage.

Such are the native fashions in ornament. In regard to garments properly so called, they are summed up very easily; for the men, an apron of antelope leather, reaching to the knees, or perhaps a petticoat of a straw material of brilliant colors; for the women, a belt of pearls, supporting at the hips a green petticoat, embroidered in silk, ornamented with glass beads or coury; sometimes they wear garments made of "lambba," a straw material, blue, black, and yellow, which is much prized by the natives of Zanzibar.