Jules Verne

The major looked as serious as a surgeon who was going to cut off a leg. The Chinaman looked as gay as a Parisian at a village bridal.

Doctor Tio-King and Cornaro, one carrying the other, were to be at this little festivity. The noble Venetian was a bachelor, if I am not mistaken, but I do not think he gives any opinion on marriage, at least I have no recollection of its being in the chapter headed "Safe and easy means of promptly remedying the different accidents that threaten life."

"And," added Pan-Chao, who has just quoted this Cornarian phrase, "I suppose marriage ought to be included among those accidents!"

A quarter to nine. No one has yet seen the happy couple. Miss Bluett is in one of the toilet cabinets in the first van, where she is probably preparing herself. Fulk Ephrinell is perhaps struggling with his cravat and giving a last polish to his portable jewelry. I am not anxious. We shall see them as soon as the bell rings.

I have but one regret, and that is that Faruskiar and Ghangir should be too busy to join us. Why do they continue to look out over the immense desert? Before their eyes there stretches not the cultivated steppe of the Lob Nor region, but the Gobi, which is barren, desolate and gloomy, according to the reports of Grjimailo, Blanc and Martin. It may be asked why these people are keeping such an obstinate lookout.

"If my presentiments do not deceive me," said Major Noltitz, "there is some reason for it."

What does he mean? But the bell of the tender, the tender bell, begins its joyous appeal. Nine o'clock; it is time to go into the dining car.

Caterna comes near me, and I hear him singing:

"It is the turret bell, Which sud-denly is sounding."

While Madame Caterna replies to the trio of the _Dame Blanche_ by the refrain of the _Dragons de Villars_:

"And it sounds, sounds, sounds, It sounds and resounds--"

The passengers move in a procession, the four witnesses first, then the guests from the end of the village--I mean of the train; Chinese, Turkomans, Tartars, men and women, all curious to assist at the ceremony. The four Mongols remain on the last gangway near the treasure which the Chinese soldiers do not leave for an instant.

We reach the dining car.

The clergyman is seated at the little table, on which is the certificate of marriage he has prepared according to the customary form. He looks as though he was accustomed to this sort of thing, which is as much commercial as matrimonial.

The bride and bridegroom have not appeared.

"Ah!" said I to the actor, "perhaps they have changed their minds."

"If they have," said Caterna, laughing, "the reverend gentleman can marry me and my wife over again. We are in wedding garments, and it is a pity to have had all this fuss for nothing, isn't it, Caroline?"

"Yes, Adolphe--"

But this pleasing second edition of the wedding of the Caternas did not come off. Here is Mr. Fulk Ephrinell, dressed this morning just as he was dressed yesterday--and--detail to note--with a pencil behind the lobe of his left ear, for he has just been making out an account for his New York house.

Here is Miss Horatia Bluett, as thin, as dry, as plain as ever, her dust cloak over her traveling gown, and in place of jewelry a noisy bunch of keys, which hangs from her belt.

The company politely rise as the bride and bridegroom enter. They "mark time," as Caterna says. Then they advance toward the clergyman, who is standing with his hand resting on a Bible, open probably at the place where Isaac, the son of Abraham, espouses Rebecca, the daughter of Rachel.

We might fancy we were in a chapel if we only had a harmonium.

And the music is here! If it is not a harmonium, it is the next thing to it. An accordion makes itself heard in Caterna's hands. As an ancient mariner, he knows how to manipulate this instrument of torture, and here he is swinging out the andante from _Norma_ with the most accordionesque expression.