The former is keeping a sharp eye on the man at the wheel, who does not appear to pay any particular attention to the compass in front of him. He seems to pay more heed to the gestures of one of the sailors stationed forward, and who signals to him to put the helm to port or to starboard.
Thomas Roch is near them, gazing vacantly out upon the vast expanse which is not limited on the horizon by a single speck of land. Two sailors watch his every movement. It is evidently feared that the madman may possibly attempt to jump overboard.
I wonder whether I shall be permitted to communicate with my ward.
I walk towards him, and Captain Spade and Engineer Serko watch me.
Thomas Roch doesn't see me coming, and I stand beside him. Still he takes no notice of me, and makes no movement. His eyes, which sparkle brightly, wander over the ocean, and he draws in deep breaths of the salt, vivifying atmosphere. Added to the air surcharged with oxygen is a magnificent sunset in a cloudless sky. Does he perceive the change in his situation? Has he already forgotten about Healthful House, the pavilion in which he was a prisoner, and Gaydon, his keeper? It is highly probable. The past has presumably been effaced from his memory and he lives solely in the present.
In my opinion, even on the deck of the _Ebba_, in the middle of the sea, Thomas Roch is still the helpless, irresponsible man whom I tended for fifteen months. His intellectual condition has undergone no change, and his reason will return only when he is spoken to about his inventions. The Count d'Artigas is perfectly aware of this mental disposition, having had a proof of it during his visit, and he evidently relies thereon to surprise sooner or later the inventor's secret. But with what object?
"Thomas Roch!" I exclaim.
My voice seems to strike him, and after gazing at me fixedly for an instant he averts his eyes quickly.
I take his hand and press it. He withdraws it brusquely and walks away, without having recognized me, in the direction of Captain Spade and Engineer Serko.
Does he think of speaking to one or other of these men, and if they speak to him will he be more reasonable than he was with me, and reply to them?
At this moment his physiognomy lights up with a gleam of intelligence. His attention, obviously, has been attracted by the queer progress of the schooner. He gazes at the masts and the furled sails. Then he turns back and stops at the place where, if the _Ebba_ were a steamer, the funnel ought to be, and which in this case ought to be belching forth a cloud of black smoke.
What appeared so strange to me evidently strikes Thomas Roch as being strange, too. He cannot explain what I found inexplicable, and, as I did, he walks aft to see if there is a screw.
On the flanks of the _Ebba_ a shoal of porpoises are sporting. Swift as is the schooner's course they easily pass her, leaping and gambolling in their native element with surprising grace and agility.
Thomas Roch pays no attention to them, but leans over the stern.
Engineer Serko and Captain Spade, fearful lest he should fall overboard, hurry to him and drag him gently, but firmly, away.
I observe from long experience that Roch is a prey to violent excitement. He turns about and gesticulates, uttering incoherent phrases the while.
It is plain to me that another fit is coming on, similar to the one he had in the pavilion of Healthful House on the night we were abducted. He will have to be seized and carried down to his cabin, and I shall perhaps be summoned to attend to him.
Meanwhile Engineer Serko and Captain Spade do not lose sight of him for a moment. They are evidently curious to see what he will do.
After walking towards the mainmast and assuring himself that the sails are not set, he goes up to it and flinging his arms around it, tries with all his might to shake it, as though seeking to pull it down.
Finding his efforts futile, he quits it and goes to the foremast, where the same performance is gone through.