Tonquin bans, known in Brazil under the name of _"cumarus,"_ and used in the manufacture of certain essential oils; sassafras, from which is extracted a precious balsam for wounds; bales of dyeing plants, cases of several gums, and a quantity of precious woods, completed a well-adapted cargo for lucrative and easy sale in the provinces of Para.

Some may feel astonished that the number of Indians and negroes embarked were only sufficient to work the raft, and that a larger number were not taken in case of an attack by the riverside Indians.

Such would have been useless. The natives of Central America are not to be feared in the least, and the times are quite changed since it was necessary to provide against their aggressions. The Indians along the river belong to peaceable tribes, and the fiercest of them have retired before the advancing civilization, and drawn further and further away from the river and its tributaries. Negro deserters, escaped from the penal colonies of Brazil, England, Holland, or France, are alone to be feared. But there are only a small number of these fugitives, they only move in isolated groups across the savannahs or the woods, and the jangada was, in a measure, secured from any attack on the parts of the backwoodsmen.

On the other hand, there were a number of settlements on the river--towns, villages, and missions. The immense stream no longer traverses a desert, but a basin which is being colonized day by day. Danger was not taken into consideration. There were no precautions against attacks.

To conclude our description of the jangada, we have only to speak of one or two erections of different kinds which gave it a very picturesque aspect.

In the bow was the cabin of the pilot--we say in the bow, and not at the stern, where the helmsman is generally found. In navigating under such circumstances a rudder is of no use. Long oars have no effect on a raft of such dimensions, even when worked with a hundred sturdy arms. It was from the sides, by means of long boathooks or props thrust against the bed of the stream, that the jangada was kept in the current, and had its direction altered when going astray. By this means they could range alongside either bank, if they wished for any reason to come to a halt. Three or four ubas, and two pirogues, with the necessary rigging, were carried on board, and afforded easy communications with the banks. The pilot had to look after the channels of the river, the deviations of the current, the eddies which it was necessary to avoid, the creeks or bays which afforded favorable anchorage, and to do this he had to be in the bow.

If the pilot was the material director of this immense machine--for can we not justly call it so?--another personage was its spiritual director; this was Padre Passanha, who had charge of the mission at Iquitos.

A religious family, like that of Joam Garral's, had availed themselves enthusiastically of this occasion of taking him with them.

Padre Passanha, then aged seventy, was a man of great worth, full of evangelical fervor, charitable and good, and in countries where the representatives of religion are not always examples of the virtues, he stood out as the accomplished type of those great missionaries who have done so much for civilization in the interior of the most savage regions of the world.

For fifty years Padre Passanha had lived at Iquitos, in the mission of which he was the chief. He was loved by all, and worthily so. The Garral family held him in great esteem; it was he who had married the daughter of Farmer MagalhaŽs to the clerk who had been received at the fazenda. He had known the children from birth; he had baptized them, educated them, and hoped to give each of them the nuptial blessing.

The age of the padre did not allow of his exercising his important ministry any longer. The horn of retreat for him had sounded; he was about to be replaced at Iquitos by a younger missionary, and he was preparing to return to Para, to end his days in one of those convents which are reserved for the old servants of God.

Jules Verne
French Authors
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