Here is the exact facsimile. I think it important to let these strange signs be publicly known, for they were the means of drawing on Professor Liedenbrock and his nephew to undertake the most wonderful expedition of the nineteenth century.

[Runic glyphs occur here]

The Professor mused a few moments over this series of characters; then raising his spectacles he pronounced:

"These are Runic letters; they are exactly like those of the manuscript of Snorre Turlleson. But, what on earth is their meaning?"

Runic letters appearing to my mind to be an invention of the learned to mystify this poor world, I was not sorry to see my uncle suffering the pangs of mystification. At least, so it seemed to me, judging from his fingers, which were beginning to work with terrible energy.

"It is certainly old Icelandic," he muttered between his teeth.

And Professor Liedenbrock must have known, for he was acknowledged to be quite a polyglot. Not that he could speak fluently in the two thousand languages and twelve thousand dialects which are spoken on the earth, but he knew at least his share of them.

So he was going, in the presence of this difficulty, to give way to all the impetuosity of his character, and I was preparing for a violent outbreak, when two o'clock struck by the little timepiece over the fireplace.

At that moment our good housekeeper Martha opened the study door, saying:

"Dinner is ready!"

I am afraid he sent that soup to where it would boil away to nothing, and Martha took to her heels for safety. I followed her, and hardly knowing how I got there I found myself seated in my usual place.

I waited a few minutes. No Professor came. Never within my remembrance had he missed the important ceremonial of dinner. And yet what a good dinner it was! There was parsley soup, an omelette of ham garnished with spiced sorrel, a fillet of veal with compote of prunes; for dessert, crystallised fruit; the whole washed down with sweet Moselle.

All this my uncle was going to sacrifice to a bit of old parchment. As an affectionate and attentive nephew I considered it my duty to eat for him as well as for myself, which I did conscientiously.

"I have never known such a thing," said Martha. "M. Liedenbrock is not at table!"

"Who could have believed it?" I said, with my mouth full.

"Something serious is going to happen," said the servant, shaking her head.

My opinion was, that nothing more serious would happen than an awful scene when my uncle should have discovered that his dinner was devoured. I had come to the last of the fruit when a very loud voice tore me away from the pleasures of my dessert. With one spring I bounded out of the dining-room into the study.

CHAPTER III.

THE RUNIC WRITING EXERCISES THE PROFESSOR

"Undoubtedly it is Runic," said the Professor, bending his brows; "but there is a secret in it, and I mean to discover the key."

A violent gesture finished the sentence.

"Sit there," he added, holding out his fist towards the table. "Sit there, and write."

I was seated in a trice.

"Now I will dictate to you every letter of our alphabet which corresponds with each of these Icelandic characters. We will see what that will give us. But, by St. Michael, if you should dare to deceive me -"

The dictation commenced. I did my best. Every letter was given me one after the other, with the following remarkable result:

mm.rnlls esrevel seecIde sgtssmf vnteief niedrke kt,samn atrateS saodrrn emtnaeI nvaect rrilSa Atsaar .nvcrc ieaabs ccrmi eevtVl frAntv dt,iac oseibo KediiI

[Redactor: In the original version the initial letter is an 'm' with a superscore over it. It is my supposition that this is the translator's way of writing 'mm' and I have replaced it accordingly, since our typography does not allow such a character.]

When this work was ended my uncle tore the paper from me and examined it attentively for a long time.

"What does it all mean?" he kept repeating mechanically.

Jules Verne
French Authors
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